Free Essays - Social Expectations in Oedipus the King (Oedipus Rex) :: Oedipus the King Oedipus Rex

Social Expectations in Oedipus the King It is made clear that the citizens of Thebes were religious and had a deep reliance on the gods. "You cannot equal the gods..."p161. It was expected socially, that the citizens of Thebes recognized the gods power, and so for Jocasta to refer to the prophecies as "hollow" would not have been generally accepted behaviour. The priest is an elderly and religious man, something we realise is well respected in Thebes as Oedipus who is king, speaks with the priest on an equal level. The elderly were considered to be wise and therefore socially it would be expected that even the king should be polite to them. "Speak up, old man. Your years, your dignity..." p. 159 Oedipus is rude to Teiresias who is also a wise and religious man. "You're a nuisance here..."p185. Oedipus is not living up to his social expectations here, signifying he is fast approaching his downfall. Oedipus is seen to have double standards with regards to the idea of murder. He is aware that he has killed someone, yet to hear that King Laius was killed, he seems appalled, "...so daring, so wild, he'd kill a king?"p166. It is depicted as being morally less acceptable to kill someone of "royal blood". The king was someone who the people of Thebes turned to when they needed help, "find us strength, rescue!" p. 161. Oedipus had set himself high social expectations after helping free Thebes "from the sphinx". Oedipus was admired as being "best of men" p. 161, and therefore socially the citizens would have expected him to help them when they needed it. Oedipus was kinder to the citizens and more open with them than was generally expected from a king, "my children" p. 162. He spoke to them directly and not through a messenger, showing the closeness between the people and their king, "Here I am myself..." p. 159. Oedipus and Creon put all their efforts in to finding the killer of Laius. They take it on as their moral obligation as it has gone so far without justice being made, "But you, loyal men of Thebes who approve my actions, may our champion, Justice, may all the gods be with us.

Which Film Director Deserves to be voted into your personal `Movie making Hall of Fame?`

If George Lucas can be considered the father of the science-fiction blockbuster movie, Ridely Scott, a brilliant film-maker in his own right, who professes to have been deeply influenced by Lucas, might be rightly considered the father of the modern space-gothic movie. This distinction comprises only a slice of Scott's overall career, but it is a significant slice.While Lucas defined what many consider to be the epitome of America's romantic imagination and optimism, Scott at least partially defines American romanticism and optimism tempered by an existential awareness, and by an unflinching confrontation with the â€Å"real world† which exists in tandem and in conflict with the dreams-capes as represented in Scott's films. This tension is present in the four films which concern our present discussion and finds application in both genre and non-genre concepts.In this way, Scott's real world/fantasy world conflict bridges a gap between science fiction films, Alien and Bladerunn er, and â€Å"mainstream† films Thelma & Louise and Black Hawk Down. Scott's contribution to American film-making can be summarized by five central qualities which are evident throughout his film-making career and are evidenced in the four films relevant to the present discussion. These qualities are: anti-commerciality, social relevancy, strong (and violent) female characters, a blending of realism and surrealism, and an existentially driven romanticism which stresses the human capacity to overcome adversity and tragedy.Scott is often an overlooked â€Å"answer† to the grandiose films of his era. That he was inspired by Star Wars to make films of a dramatic and spectacular quality, but that he does so more with story and conflict and theme than with special effects is a testament to his boldness but it is also a centerpiece of his overall aesthetic which unites realism with ideal imagery, surrealism, and dream-scape imagery.By examining each of the points ore closely in relation to the four films, it becomes much easier to appreciate the full thematic and aesthetic accomplishments of Scott's masterpiece, Bladerunner, which can be considered a â€Å"signature† work which embodies Scott's art at its highest expression. Despite Bladerunner's poor box-office performance, Scott's anti-commercial tendencies are likely to be disputed or outrightly dismissed by many; however, a film like Thelma & Louise has little in the way of a genuine predecessor, least of all one with a track-record of enormous commercial success.Similarly, Black Hawk Down is the story of a failed American military mission in Somalia and bucks the strong Hollywood tradition of showing an heroic vision of war. Alien was released at a time when Star Wars had redefined the science-fiction genre in film, exerting a massive influence toward science-fantasy and spectacle on the screen. Scott's film is a meditative, spooky, mostly silent voyage in space. The tag-line for the film wa s â€Å"In space no-one can hear you scream.† Scott's masterwork Bladerunner was a box-office and critical flop upon its release and stood as a radical reworking of an obscure science-fiction novel titled â€Å"Do Androids Dream of Electric Sheep? † The anti-commercial aspects of Scott's work extend beyond box-office revenue to cultural commentary and social critique. Of the four films under discussion, Scott's social relevancy is most evident in his non-genre films, Thelma & Louise and Black Hawk Down.In the latter film, Scott examines the true-life story of â€Å"the loss of a â€Å"mere eighteen soldiers†; his film is â€Å"designed to get us beyond[†¦ ] academic abstractification, to give us moral proximity to suffering, to the physicality of violence† and his searching directorial eye finds excellent use for realism in this film. Scott's movie takes the viewer into the â€Å"events, exploring the interactions between humans and technology in t he battlefield,† and this intimate view brings Scott's recurrent theme of strength beyond tragedy into hard-edged almost documentary-style focus, (Lacy, 27).While Black Hawk Down examines the impact of violence on social harmony and on the individual lives of male combatants, Thelma & Louise, no less violent nor less socially relevant than Black Hawk Down, envisions the modes of violent conflict in society from the perspective of strong female characters. Although criticized in many quarters for fashioning a tale which is not true to womens' experience, Thelma & Louise is intentionally non-realistic and represents a mode of near-fantasy, where reality and heroic myth merge.Scott's own comments on modern film-making reveal some of the logic behind his wide-ranging techniques and approaches, blending acute realistic detail with mythic fantasy: â€Å"I think movie making has just become more expert in the face of these subjects, with different camera angles and different techniq ues: they demand a more detailed way of looking at things,† (Lacy, 27). Where the violence of Black Hawk Down was received by critics and audiences as an unflinchingly realistic appraisal of the consequences (and futility) of certain kinds of military interventions , the violence in Scott's earlier film Thelma & Louise was viewed negativelyas fantasy wish-indulgence. Critics failed to recognize the film's underlying motifs; instead, â€Å"Thelma and Louise which was judged, and found wanting, as an account of women’s lives. The standards of truth against which popular films have been judged, standards which rarely admit the complexity of terms like fantasy, can also operate to silence the other stories to which they attempt to give a voice,† and this ability to fuse fantasy with realistic detail is Scott's great genuis as a filmmaker, (Tasker, 8).This fusion is evident at its most profound expression in Scott's most accomplished film Bladerunner. As in Thelma &Lo uise, Scott brings elements of the action-film to Bladerunner but like Thelma & Louise the action paradigm is given a twist by the pairing of a male-female â€Å"buddy† team in Deckert and Rachel. Similarly, there is a question as to whether Deckert is himself a replicant. To this extent, Scott's â€Å"action cinema depends on a complex articulation of both belonging and exclusion, an articulation which is bound up in the body of the hero and the masculine identity that it embodies.These dramas of belonging and exclusion mobilise discourses of national, racial and gendered identity through intimate fictional groupings such as the platoon, the police squad or the buddy relationship,† and in the case of Bladerunner and Thelma & Lousie, the â€Å"intimate† fictional groupings indicate a social awareness of those whom society may have tried to forget or overlook. (Tasker, 8). Scott's ability to weave a dream-scape of images through his â€Å"realistic† aesthe tic is brought to it greatest height in Bladerunner.This space-gothic masterpiece shows that Scott is basically what might be termed as an existentialist romantic as a film-maker, an unusual combination and one which fuels his films with unparalleled tension between wished-for fantasy and seemingly unchangeable reality. In each of the four films discussed, the line between fantasy and reality is crossed usually indicated by a tragedy or crises, so that Scott's ultimate vision includes characters heroically attempting to snatch their dreams from a dystopian or near-dystopian world, where tragedy becomes a catharsis to the attainment or partial attainment of individual happiness.

When Is The Last Time You Fought With Someone For Hours

When is the last time you fought with someone for hours and still did not get your way? You may have begged your teacher to let you hand in an assignment late, or tried to convince your parents to extend your curfew. You may have been disappointed when you failed to succeed in this, most likely because the lack of proper argumentation technique. Argumentation takes place all around the world in messages designed to influence other beliefs and behaviors. A rational argument adapts to the audience in an ethical manner, fulfills the requirements of presumption and burden of proof and effectively supports the claims while avoiding common fallacies. Audience analysis is one of the most important aspects of creating a respectable argument. Since†¦show more content†¦The audience plays a crucial part here, as they are active participants. It is important that all participants be knowledgeable, open minded, and respectful. Lastly, the logical perspective relies on the audience’s knowledge of logical patterns such as a cause- effect reasoning. The audience in this case, acts as disinterested and is more of a third-party judge (Rybacki 10). Regardless of perspective, the argumentation for the intended audience must abide by certain ethical standards. Argumentation is based around the conscious choices of what to say to influence the audience. â€Å"Advocates have an ethical responsibility not to deceive their audiences or other arguers by using obscure or ambiguous language, confusing patterns of organization, or ideas encumbered by nonessential information or ideas† (Rybacki 16). With this said, choosing clear and concrete language in an organized structure gives the arguer assurance that their message was not misinterpreted. Honesty is also extremely important in a successful argument, and the arguer should know their topic thoroughly to avoid false information. Moreover, stating the opposing viewpoints allows for a more effective and ethical discussion. Efficiency as an ethical standard gives the advocate the obligation to develop arguments that have the necessary rational power to make their point (Rybacki 17). KarynShow MoreRelatedBattle Of Little Bighorn : The Worst Defeat Of American History1314 Words   |  6 Pag esdefeat but the brave men who became patriots that fought for their country will forever be named for their devotion. Those men gave their lives to save future generations. The men that would give their lives for ours should be honored for their bravery. We are the people they fought to save and for that we owe them our approval. They started their journey with the march. The march on the river was long and unbarring for the brave men who fought to protect our country. On June 25, 1876 General GorgeRead MoreDescriptive Essay About Unhappy Family750 Words   |  3 Pagesdifferent. 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Multiple Sclerosis A Disease Of The Central Nervous System

Introduction Multiple sclerosis (MS) is a disease of the Central nervous system that progresses over a period time (â€Å"NINDS,† 2015). The central nervous system (CNS) includes the brain, spinal cord, and peripheral nerves. Damage to the central nervous system may interfere with sensory, motor, and cognitive functions. Myelin is an insulating layer around neuron processes that serves as a protective barrier (â€Å"MedlinePlus,†2016). In the case of Multiple Sclerosis, this protective layer is permanently damaged by sources that is still being investigated. The deterioration of the Myelin sheath inhibits, or slows down signals between the brain and the body (â€Å"NMSS,† 2012). Although there is currently no cure for Multiple Sclerosis, there are different treatment options that may help slow down the progression of the disease. As a chronic disease, it offers many challenges to the researchers looking for holistic ways to manage symptoms. Multiple Sclerosis is hard to diagnose; early signs of MS are non-specific and the individual may appear to have another disease (â€Å"NMSS,† 2012). It is still unclear how multiple sclerosis is inherited, although the disease does appear to be passed down over family generations. Most people exhibit symptoms for the disease between the ages of 20-40 years old; symptoms can vary depending on the individual and can range anywhere from mild to extremely painful (â€Å"NINDS,† 2015). People manage their symptoms in different ways including prescriptionShow MoreRelatedCentral Nervous System Diseases: Multiple Sclerosis1303 Words   |  5 PagesMultiple sclerosis (MS) is a chronic inflammatory and demyelinating disease of the central nervous system (CNS). 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The Famous Fashion Entrepreneur Hattie Carnegie - 940 Words

Hattie Carnegie (March 15, 1880 — February 22, 1956), Seventh Avenue s legendary fashion entrepreneur, once influenced American Fashion with her brilliant fashion savvy. From the 1920s to the 1960s, her name was synonymous with high fashion, an elegant couture collection and ready to wear lines. Born March 15, 1886 in Vienna, Austria as Henrietta Kanengeiser, she was the second of seven children. She emigrated with her family to the United Sates as a young girl, following a disatrous fire that destroyed the family home in 1892. From those humble beginnings, her legend arose as she built a $10 million fashion empire. Hattie-Carnegie-Proof Pictured above: Hattie Carnegie Her first job was working with Macy s in 1901 at the age of 15. She began as salesclerk, and progressed serving as a mannequin and a milliner. While at Macy s she received the equivalent of a fashion education, as well as sharpening her business acumen. Her passion for design, combined with her unparralleled ability creating fashion styles, and the encouragement of her peers ensured that the rest of her life would dedicated to fashion. In a prudent business move, Henrietta became known by her sobriquet, Hattie , and also changed her last name to Carnegie in honor of the very successful Andrew Carnegie, one of the most important philathropists of his age. By 1909, Hattie opened a successful shop with business partner, Rosie Roth. The shop was located on East Tenth Street in New York and

Marraige Life vs Singal Life Free Essays

The difference between the marriage life and the single life is there are advantages, and disadvantages. Although married life sounds stable, there are more benefits to being single, in the short and long term picture. (Marriage Vs Single Life. We will write a custom essay sample on Marraige Life vs Singal Life or any similar topic only for you Order Now ) In today society a lot of people are being married and still being single. This particular way of thing has changed their lives. In this compare and contrast the difference between single and married people lives. Single life mainly has no responsibility at all. Being single you don’t have to come home to anyone. If you like being alone this is the perfect lifestyle for you. You don’t have to share your money, everything is about you. There are a lot of people that would like to be stress free no one nagging them. Single people can spend their time with anyone they choose. They can come in at anytime they like, and they don’t have to worry about cleaning up behind others. They just have to clean up behind the selves. Single people also have very big trust issue. Marriage people have the companionship of each other and their children. Compared to the single people married people schedule are too busy. Married people have to conduct their partners and children lives as well. Married people can’t live a free life if they want to go with their friends they have to let their partner know there are rules to having a happy successful life. Never both partners be mad at once, never yell all ways talk problems out in a normal voice. Never discuss your problem around a crowd of people, always agree with your partner around crowds , but if you disagree let them know later. Being married emotional support is expected or given with every thought or action. I would choose the married life over the single life. I love the sharing part and the company. I’ve always love being around people so I personally think that I would be a good candidate for the marriage life. I wouldn’t choose the single life because being single and coming to your own empty house not having anyone waiting for me to share my day or thoughts. In this conclusion being single takes a toll on you, while being married has its toll too. But you have someone too,but you will have someone deeply share them with a true friend for life like the marriage says. â€Å"Till death do us part. â€Å" How to cite Marraige Life vs Singal Life, Essay examples

The Materialism Of Society In The Great free essay sample

Gatsby Essay, Research Paper The Materialism of Society in The Great Gatsby Every individual has a longing in her bosom, a desire for greater felicity she needs to make full. Whether it be love, power, cognition, or societal position, every individual at one clip strives to make full an emptiness through stuff addition. Materialism is the inclination to prefer material ownerships and physical comfort to religious values ( Isaacs 924 ) . Today s society is occupied with mercenary things. The Great Gatsby is a premier illustration of this. This philistinism of society is shown in F. Scott Fitzgerald s The Great Gatsby through the undermentioned characters: Jay Gatsby and Tom and Daisy Buchanan. Fitzgerald found the affluent glamourous and destructive. Although he was affluent, Fitzgerald was neer accepted. He was ever on the outside looking in. His compulsion for stuff characterized him as an writer and a adult male ( Magill Critical 966 ) . He thought his money would do him a better individual. Fitzgerald felt as if the loss of vision was every bit bad as the illusory quality of ideals of civilization ( Magill American 367 ) . Materialism is one of the chief subjects in The Great Gatsby. America had produced an idealism so intangible that it had lost touch with world and a philistinism so heavy that it was inhuman ( Mizener 101 ) . America is considered as the continent of lost artlessness and semblances ( Way 110 ) . There are many misinterpretations in today s mercenary society. One can t purchase unity with money ( Bruccoli 52 ) , and immature work forces think that wealths change the yesteryear and can recapture love ( Martine 9 ) . Both of these thoughts are false. American society has a changeless trust on money for emotions and individuality ( Bruccoli 46 ) . The Great Gatsby is interpreted as a warning to future coevalss ( Magill Masterplots 2652 ) . The warning is to non establish 1s life on material things, because this could take to a ruin. Jay Gatsby is a successful moonshiner. He came from poorness and ignorance ( Bryfonski 244 ) , and has come into a new wealth, which is derived from his concern. Although Gatsby achieves this success, he fails to recognize how money works in society ( Tate 104 ) . He thrives on material things. He owns a immense estate, has expensive properties, and splurges his money for show. Jay Gatsby stands for American idealism- so he loses touch with world ( Lehan 114 ) . He assumes that stuff ownerships are the manner to his dream, and he looks on material things to satisfy this hunt ( Bryfonski 244 ) . Finally, Gatsby sees that achieving an object brings a sense of loss and non fulfillment ( Way 107 ) . In the terminal, he is destroyed by the stuffs. Gatsby is in love with Daisy Buchanan. He has loved her since he was a immature adult male. When he is sent to contend in the war, Daisy meets Tom Buchanan and marries him. Old ages subsequently, Gatsby and Daisy are reunited. By this clip, Gatsby is affluent and feels as if he is worthy of her love. He still loves her as much as the twenty-four hours he left and is willing to make anything to win her over. He thinks that her love can be bought ( Bruccoli 51 ) , and attempts to recapture her through his stuff ownerships ( Martine 10 ) . Gatsby is the heady dreamer who can non take the common-sense position, who refuses to accept an ambiguous love ( Piper 102 ) . When Daisy leaves him at the terminal, he loses everything. He loses his young person, hope, and anticipation. ( Lehan 108 ) . Daisy Buchanan, is a Southern Belle from Louisville, Kentucky, and comes from a affluent household. She is entangled in mercenary values. Her life is full of money, power, and a high societal position. When she speaks, her voice is full of money ( Lee 55 ) . Daisy loves to travel out to parties to dance, dri nk, and hold merriment. She is married to Tom Buchanan, but their relationship is non a theoretical account relationship. They are both unfaithful to each other, and neither of them seems to care. Daisy has a basic falseness towards her matrimonial state of affairs ( Piper 108 ) . Daisy loved Jay Gatsby when she was younger. Although she loved him, she could non get married him because he was hapless. Rich, immature misss did mot marry hapless male childs. Daisy had two powerful beginnings of attractive force ; they were money and sex ( Bloom Modern 90 ) . That is what attracted Gatsby to her. She was the substance of Gatsby s dream ( Bloom 90 ) . He lived for her. When he found her once more, he expected her to be a demoiselle in hurt waiting to be rescued ( Piper 124 ) . Tragically, she did non run into these criterions. Tom Buchanan came from a affluent household. He graduated from Yale as a football fable. Tom was chesty and objectionable and stood for a philistinism that was cold ( Lehan 114 ) . He gained his confidence from his money and place in society ( Bloom Modern 92 ) . Like Daisy, Tom wasn t faithful for he was holding an matter besides. He was a corrupt adult male and was conceived as the incarnation of immorality by Fitzgerald ( Piper 138 ) . The universe of the Jazz Age in which Fitzgerald lived and wrote The Great Gatsby, was brimming with mercenary values. Fitzgerald conveys a sense that the original, more spirited significance of the American dream has been corrupted by greed ( Bloom Bloom s 37 ) . In the book The Great Gatsby, each character is in chase of felicity through material fulfilment. The book describes the philistinism of an age. It was written in a clip where values were more concerned with self-fulfillment and felicity than anything. In The Great Gatsby, the chase of felicity through stuff addition is conceited and pointless. Fitzgerald was non strikingly optimistic about the procedure of our state being damned by our philistinism, or of our dreams lasting its web with a peculiarly expensive object ( Bloom 24 ) . The Great Gatsby by F. Scott Fitzgerald demonstrates the philistinism of society through these characters: Jay Gatsby and Daisy and Tom Buchanan. Plants Cited Bloom, Harold. Bloom s Major Short Story Writers: F. Scott Fitzgerald. Broomall: Chelsea House, 1999. Bloom, Harold. erectile dysfunction. Modern Critical Interpretations: F. Scott Fitzgerald s The Great Gatsby. New York: Chelsea House, 1986. Bruccoli, Matthew J. erectile dysfunction. New Essays on The Great Gatsby. Cambridge: Cambridge UP, 1985. Bryfonski, Dedria. erectile dysfunction. Twentieth-Century Literary Criticism, Vol 1. Mendelson, Phyllis, Carmel. 2nd erectile dysfunction. Michigan: Gale Research Co. , 1978. Lee, Robert A. ed. Scott Fitzgerald: The Promises of Life. London: Vision Press, 1989. Lehan, Richard D. F. Scott Fitzgerald and the Craft of Fiction. Carbondale: Southern Illinois UP, 1966. Magill, Frank N. erectile dysfunction. American Literature Realism to 1945. Pasadena: Salem Press, 1981. Magill, Frank N. erectile dysfunction. Critical Survey of Long Fiction, Vol 3. New Jersey: Salem Press, 1983. Magill, Frank. Masterplots: Revised Second Edition. Pasadena: Salem Press, 1996. Martine, James J. erectile dysfunction. Dictionary of Literary Biography, Vol 9: American Novelists, 1910-1945. Michigan: Gale Research Co. , 1981. Mizener, Arthur. A Collection of Critical Essaies: F. Scott Fitzgerald. New Jersey: Prentice Hall, Inc. , 1963. Piper, Henry Dan. F. Scott Fitzgerald: A Critical Portrayal. London: The Bodly Head Ltd, 1965. Tate, Mary Jo. F.Scott Fitzgerald A to Z. New York: Facts on File, Inc. , 1998. Way, Brian. F. Scott Fitzgerald and the Art of Social Fiction. New York: St. Martin s Press, Inc. , 1980.