The Old Man And The Sea By Ernest Hemingway (1899 - 1961) Essays

The Old Man and the Sea by Ernest Hemingway (1899 - 1961) The Old Man and the Sea by Ernest Hemingway (1899 - 1961) Type of Work: Symbolic drama Setting North Coast of Cuba; early twentieth century Principal Characters Santiago, an old, weathered fisherman Manolin , a boy, Santiago's young fishing companion The Marlin, a gigantic fish Story Overveiw Eighty-four days had passed since Santiago, the old fisherman, had caught a fish, and he was forced to suffer not only the ridicule of younger fishermen, but near-starvation as well. Moreover, Santiago had lost his young companion, a boy named Manolin, whose father had ordered him to leave Santiago in order to work with more successful seamen. But the devoted child still loved Santiago, and each day brought food and bait to his shack, where they indulged in their favorite pastime: talking about the American baseball leagues. The old man's hero was the New York Yankees' Joe DiMaggio. Santiago identified with the ballplayer's skill and discipline, and declared he would like to take the great DiMaggio fishing some time. After visiting one particular afternoon, the boy left Santiago, who fell asleep. Lions immediately filled his dreams. As a boy he had sailed to Africa and had seen lions on the beaches. Now, as an old man, he constantly dreamed of the great and noble beasts. He no longer dreamed of storms, nor of women, nor of Great occurrences, nor of great fish, nor fights nor contests of strength, nor of his wife. He only dreamed of places now and of the lions on the beach ... He loved them as he loved the boy. Before dawn of the next day, the fisherman, as usual, hauled his salt-encrusted skiff onto the beach and set out by himself. But today, in hopes of breaking his unlucky streak, he was determined to sail into deep waters, out much farther than the other anglers would go. He followed the sea birds and flying fish; they would tell him b y their movements where the fish congregated. He watched the turtles swimming near his boat. He loved the turtles, "with their elegance and speed..." Most people are Heartless about turtles because a turtle's heart will beat for hours after he has been cut tip and butchered. The old man thought, I have such a heart too ... Early on, Santiago managed to land a tenpound tuna. Thinking this a good omen, he used the fresh meat to bait one of his lines. By now he was far away from land, and much farther out than all the other fishermen. Resisting the temptation to sleep or to let his mind wander, Santiago concentrated on his lines reaching deep into the dark green waters. At noon he felt a bite. Testing his line, he guessed that it must be a marlin nibbling at the tuna bait. "He must be huge," the old man thought, and waited anxiously for a strike. Suddenly, the fish took the bait entirely and began to swim furiously out to sea, dragging the boat behind him. The fish was so powerful that Santiago was helpless to stop him; he could only brace himself against the weight placed on the taut line that cut across his shoulders and hold on until the fish exhausted its strength. Darkness fell, and still the fish swam steadily out to sea. The seaman spent a grueling night with the line looped painfully round his back. Though he was weak, old and all alone, Santiago knew many tricks, and possessed skills the young men yet lacked. Besides, he loved the sea with a passion and had faith that she would handle him with reverent, though bitter, kindness. Once, when the fish gave a sudden tug, the line slashed Santiago's cheek. "Fish," the old man vowed softly, "I'll stay with you until I am dead." Then he began to pity the great fish that he had hooked. He is wonderful and strange and u)ho knows how old he is, he thought ... Perhaps he is too wise to jump. He could ruin me by jumping or by a wild rush. But perhaps he has been hooked many times before and he knows that this is how he should make his fight. He cannot know that it is only one man against him, or that it is an old man ... His choice had been to stay in the deep dark water far out beyond all snares and traps and treacheries. My choice was to go there to find him beyond all people .... Now we are joined together and have been since noon. And no one to

Beautiful Disasters Pearl as a Living Breathing Scarlet Letter essays

Beautiful Disasters Pearl as a Living Breathing Scarlet Letter essays Sometimes beauty is found in places as unexpected as a rosebush growing outside of a prison in a puritan colonial village. Pearl Prynne is an unearthly beautiful child with a wild spirit born under unimaginably sinful conditions, all of which are somehow related to the ideas, actions, and views of others on Hesters punishment. In Nathaniel Hawthornes The Scarlet Letter, Pearl serves as Hesters living, breathing Scarlet letter. Pearl evokes the same emotion and reactions from the townspeople, as does the scarlet letter. The people look at the slight sense of pride Hester has in her letter in the same way they look at the way Hester lets Pearl do whatever she wants. They feel Hester isnt fit to raise the child. The extremity of gossip from the females of the village in the beginning of the book is only matched by the amount that Pearls wild attitude stirs up later on. Hesters A is the example for all of what sin is. The A makes Hester much avoided and the parents tell their children to watch out for her. Theses same parents say the same things to their kids about avoiding Pearl, who is infamous for her uncontrollable behavior with her peers and other adults. Just as infamous as Hesters A for the wild sinful actions it Like Hesters scarlet letter, Pearl shows extreme beauty in a form that is not traditional, positive, tame, or fully accepted. When Hester crafts the A that she has to wear on her chest, She uses a deep, passionate shade of red and embroiders it very intricately with bright gold thread. The A was meant to mark Hester in a negative manor; its purpose is to let everyone know that Hester is a sinner. Hester takes something extremely negative and makes it appear as passionately beautiful. Hawthorne portrays Pearl in a very detailed specific manor, meant...

Research Paper no Plagiarism

Research Paper no Plagiarism Research Paper no Plagiarism Research Paper no Plagiarism The objective pursued by tutors who assign research paper writing is to make student think critically and express thoughts logically.   This objective is easy to set, however, is not so easy to achieve.   Here are some helpful research paper ideas. First, as trite as it may sound, you should not put off writing a research paper to the last day, hoping that five pages college research paper is half an hour of work.   It does not mean that you have to set aside all of your plans and start writing you English research paper right now.   At least an hour a day should be devoted to researching, planning, writing, formatting, and editing.   While being in a shower, for example, you may think about your research paper writing. When the time comes and you decide to start research paper writing, you already know what you should write and what type of information is necessary. Secondly, although research paper writing excludes plagiarism, it is impossible to write a research paper without consulting and citing numerous publications. Therefore, you have to start collecting material. If you have enough time, it is a good idea to devote some of it to information gathering. Thirdly, it is good to discuss research paper topic with someone. It would be really wonderful to discuss it with research paper adviser. Besides, research paper adviser will propose you something interesting and help you narrow the topic. Your research paper adviser might shed light on your own vision of the topic.   Moreover, while talking with some, you can show your own intensive work of thought. Fourthly, it would be a good idea to explore the characteristics of your muse. Inspiration is rather a capricious thing. So, when your head is full of thoughts, the muse breathes in the neck, it is time to start research paper writing. Research Paper Help Research paper writing is a student's reflection on the assigned problem (or the one that is of interest to the student).   Research paper topic should be relevant to the course and be of interest to readers. Therefore, while writing a research paper, you must present different points of view.   Your ultimate goal is to demonstrate the depth of research and thorough understanding of the topic. You are welcome to quote other authors, but moderately and by the occasion. Footnote should be made at the bottom of the page (the author of the book or article, publication date, page). In addition, you should include a full list of consulted and cited literature.   Bibliography list is the final page of your research paper writing. College research paper writing it is absolutely an independent work written in your own style and language. PLAGIARISM must be EXCLUDED! Moreover, the plagiarized text is always visible for experienced tutor.   Placing an order at you receive r esearch paper no plagiarism. It means that your research paper is written from scratch and all sources are fully referenced at the end of the paper and within it.

Forex risk management Dissertation Example | Topics and Well Written Essays - 5000 words

Forex risk management - Dissertation Example ...6 Evidence and Valuation†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦7 Learning form Cases of Companies†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦.....7 Presentations/Findings..........................................................................................8 Forex Risk Management.......................................................................................9 Other Tools for Forex Risk Management †¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦....12 Discussion†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.13 Conclusion†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢ € ¦..†¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦Ã¢â‚¬ ¦.†¦...16 Bibliography Introduction A billionaire once related that with worrying trend of their national economy which is characterized by burgeoning debt, increasing unemployment rate, spiraling number of foreclosures of mortgage properties, there is one option to earn substantially—and, this is to trade currency. ... But how are they influenced and controlled by the market? Forex is a huge trading market that is geographically dispersed and exchanges could either be favorable or not, depending on the measures of risk management employed by limiting â€Å"trade lot size, hedging, trading only during certain hours or days, or knowing when to take losses†(Milton, 2011). Forex trading may seem easy, but in all honesty so difficult, indeed. Traders would either experience sudden corrections in currency exchange rates; bewildering variations in exchange rates; susceptibility to market’s rapid change for profit opportunities; lost payments; delay in the confirmation of receivables and fees; discrepancy of bank drafts received and the contract price† (Milton, 2011). Forex has four interdependent spot markets where currencies are traded. These are the spot market, futures market, option market and derivatives market. Most of the time, these markets are availed by key actors in direct a nd indirect investments, such as, exporters, importers, investors, speculators, and governments. Trading is often done at interbank markets and financial institutions although the most common currency traded is the US dollars. Exchange rates are managed either in fixed rate, semi-fixed systems, and floating rates. People trade to profit and such made the trading attractive to gain regardless where the market is going. Purpose of the study But Forex trading is not at all positively experienced. Many experienced problems too and were exposed to risks. Forex trading can make you rich or make you poor. It is about buying and selling currencies. If the value of the currency brought rise up, there is assured profit. But if it goes down, one’s loses. It is indeed risky. It is in this context that this

Food- Steroids. Anitbiotics. Sprays. Are food manufacturers killing us Research Paper

Food- Steroids. Anitbiotics. Sprays. Are food manufacturers killing us Annotated Bibliography - Research Paper Example olic disruptor ingredients like hydrogenated oil, sodium nitrite, aspartame, homogenized milk fats, monosodium glutamate, sodium nitrite and the like that can cause brain damage, cancer, and diabetes. Third, processed foods barely resemble the nature given food that they are due to over processing, overcooking, preserving with chemicals, pasteurizing, homogenizing and even irradiating. Simply put they are dead food that the human body no longer needs. This article presents two arguments: from the farmers and from the advocates of public health. The farmers insist that they have to feed the animals with antibiotics to keep them healthy and in order to keep pace with the demands of the U.S. consumers for cheap animal meat. Public health advocates on the other hand argue that such practice of farmers is giving breed to germs in animals that are resistant to antibiotic which causes deadly diseases to the consumers. The intervention of the U.S. government in banning the use of antibiotic in animals in the 1970s did not materialize. The FDA has outlined plans to phase out the use antibiotics for non-medical purposes in animals in the coming years has yet to be seen. The author showed why the use of antibiotics in farm animals was approved in the 1950s as well as the research conducted in the 1970s showing the bad effects of antibiotics especially on E. coli bacteria. The strong lobby from farmers and drug makers for the continuance of use of antibiotics such as tetracycline and penicillin after the result of the research was released forced the ruling of the FDA to ban these antibiotics to be ruled out. It will take some time before FDA will take its final stand on banning the use of antibiotics on farm animals. More statistics perhaps showing human deaths related to antibiotic-fed animals? In this article, the author presents the research on antimicrobial coating for liquid and film containers being conducted by Tony Jin at the U.S. Department of Agriculture. Jin is

Free Essays - Social Expectations in Oedipus the King (Oedipus Rex) :: Oedipus the King Oedipus Rex

Social Expectations in Oedipus the King It is made clear that the citizens of Thebes were religious and had a deep reliance on the gods. "You cannot equal the gods..."p161. It was expected socially, that the citizens of Thebes recognized the gods power, and so for Jocasta to refer to the prophecies as "hollow" would not have been generally accepted behaviour. The priest is an elderly and religious man, something we realise is well respected in Thebes as Oedipus who is king, speaks with the priest on an equal level. The elderly were considered to be wise and therefore socially it would be expected that even the king should be polite to them. "Speak up, old man. Your years, your dignity..." p. 159 Oedipus is rude to Teiresias who is also a wise and religious man. "You're a nuisance here..."p185. Oedipus is not living up to his social expectations here, signifying he is fast approaching his downfall. Oedipus is seen to have double standards with regards to the idea of murder. He is aware that he has killed someone, yet to hear that King Laius was killed, he seems appalled, "...so daring, so wild, he'd kill a king?"p166. It is depicted as being morally less acceptable to kill someone of "royal blood". The king was someone who the people of Thebes turned to when they needed help, "find us strength, rescue!" p. 161. Oedipus had set himself high social expectations after helping free Thebes "from the sphinx". Oedipus was admired as being "best of men" p. 161, and therefore socially the citizens would have expected him to help them when they needed it. Oedipus was kinder to the citizens and more open with them than was generally expected from a king, "my children" p. 162. He spoke to them directly and not through a messenger, showing the closeness between the people and their king, "Here I am myself..." p. 159. Oedipus and Creon put all their efforts in to finding the killer of Laius. They take it on as their moral obligation as it has gone so far without justice being made, "But you, loyal men of Thebes who approve my actions, may our champion, Justice, may all the gods be with us.

Which Film Director Deserves to be voted into your personal `Movie making Hall of Fame?`

If George Lucas can be considered the father of the science-fiction blockbuster movie, Ridely Scott, a brilliant film-maker in his own right, who professes to have been deeply influenced by Lucas, might be rightly considered the father of the modern space-gothic movie. This distinction comprises only a slice of Scott's overall career, but it is a significant slice.While Lucas defined what many consider to be the epitome of America's romantic imagination and optimism, Scott at least partially defines American romanticism and optimism tempered by an existential awareness, and by an unflinching confrontation with the â€Å"real world† which exists in tandem and in conflict with the dreams-capes as represented in Scott's films. This tension is present in the four films which concern our present discussion and finds application in both genre and non-genre concepts.In this way, Scott's real world/fantasy world conflict bridges a gap between science fiction films, Alien and Bladerunn er, and â€Å"mainstream† films Thelma & Louise and Black Hawk Down. Scott's contribution to American film-making can be summarized by five central qualities which are evident throughout his film-making career and are evidenced in the four films relevant to the present discussion. These qualities are: anti-commerciality, social relevancy, strong (and violent) female characters, a blending of realism and surrealism, and an existentially driven romanticism which stresses the human capacity to overcome adversity and tragedy.Scott is often an overlooked â€Å"answer† to the grandiose films of his era. That he was inspired by Star Wars to make films of a dramatic and spectacular quality, but that he does so more with story and conflict and theme than with special effects is a testament to his boldness but it is also a centerpiece of his overall aesthetic which unites realism with ideal imagery, surrealism, and dream-scape imagery.By examining each of the points ore closely in relation to the four films, it becomes much easier to appreciate the full thematic and aesthetic accomplishments of Scott's masterpiece, Bladerunner, which can be considered a â€Å"signature† work which embodies Scott's art at its highest expression. Despite Bladerunner's poor box-office performance, Scott's anti-commercial tendencies are likely to be disputed or outrightly dismissed by many; however, a film like Thelma & Louise has little in the way of a genuine predecessor, least of all one with a track-record of enormous commercial success.Similarly, Black Hawk Down is the story of a failed American military mission in Somalia and bucks the strong Hollywood tradition of showing an heroic vision of war. Alien was released at a time when Star Wars had redefined the science-fiction genre in film, exerting a massive influence toward science-fantasy and spectacle on the screen. Scott's film is a meditative, spooky, mostly silent voyage in space. The tag-line for the film wa s â€Å"In space no-one can hear you scream.† Scott's masterwork Bladerunner was a box-office and critical flop upon its release and stood as a radical reworking of an obscure science-fiction novel titled â€Å"Do Androids Dream of Electric Sheep? † The anti-commercial aspects of Scott's work extend beyond box-office revenue to cultural commentary and social critique. Of the four films under discussion, Scott's social relevancy is most evident in his non-genre films, Thelma & Louise and Black Hawk Down.In the latter film, Scott examines the true-life story of â€Å"the loss of a â€Å"mere eighteen soldiers†; his film is â€Å"designed to get us beyond[†¦ ] academic abstractification, to give us moral proximity to suffering, to the physicality of violence† and his searching directorial eye finds excellent use for realism in this film. Scott's movie takes the viewer into the â€Å"events, exploring the interactions between humans and technology in t he battlefield,† and this intimate view brings Scott's recurrent theme of strength beyond tragedy into hard-edged almost documentary-style focus, (Lacy, 27).While Black Hawk Down examines the impact of violence on social harmony and on the individual lives of male combatants, Thelma & Louise, no less violent nor less socially relevant than Black Hawk Down, envisions the modes of violent conflict in society from the perspective of strong female characters. Although criticized in many quarters for fashioning a tale which is not true to womens' experience, Thelma & Louise is intentionally non-realistic and represents a mode of near-fantasy, where reality and heroic myth merge.Scott's own comments on modern film-making reveal some of the logic behind his wide-ranging techniques and approaches, blending acute realistic detail with mythic fantasy: â€Å"I think movie making has just become more expert in the face of these subjects, with different camera angles and different techniq ues: they demand a more detailed way of looking at things,† (Lacy, 27). Where the violence of Black Hawk Down was received by critics and audiences as an unflinchingly realistic appraisal of the consequences (and futility) of certain kinds of military interventions , the violence in Scott's earlier film Thelma & Louise was viewed negativelyas fantasy wish-indulgence. Critics failed to recognize the film's underlying motifs; instead, â€Å"Thelma and Louise which was judged, and found wanting, as an account of women’s lives. The standards of truth against which popular films have been judged, standards which rarely admit the complexity of terms like fantasy, can also operate to silence the other stories to which they attempt to give a voice,† and this ability to fuse fantasy with realistic detail is Scott's great genuis as a filmmaker, (Tasker, 8).This fusion is evident at its most profound expression in Scott's most accomplished film Bladerunner. As in Thelma &Lo uise, Scott brings elements of the action-film to Bladerunner but like Thelma & Louise the action paradigm is given a twist by the pairing of a male-female â€Å"buddy† team in Deckert and Rachel. Similarly, there is a question as to whether Deckert is himself a replicant. To this extent, Scott's â€Å"action cinema depends on a complex articulation of both belonging and exclusion, an articulation which is bound up in the body of the hero and the masculine identity that it embodies.These dramas of belonging and exclusion mobilise discourses of national, racial and gendered identity through intimate fictional groupings such as the platoon, the police squad or the buddy relationship,† and in the case of Bladerunner and Thelma & Lousie, the â€Å"intimate† fictional groupings indicate a social awareness of those whom society may have tried to forget or overlook. (Tasker, 8). Scott's ability to weave a dream-scape of images through his â€Å"realistic† aesthe tic is brought to it greatest height in Bladerunner.This space-gothic masterpiece shows that Scott is basically what might be termed as an existentialist romantic as a film-maker, an unusual combination and one which fuels his films with unparalleled tension between wished-for fantasy and seemingly unchangeable reality. In each of the four films discussed, the line between fantasy and reality is crossed usually indicated by a tragedy or crises, so that Scott's ultimate vision includes characters heroically attempting to snatch their dreams from a dystopian or near-dystopian world, where tragedy becomes a catharsis to the attainment or partial attainment of individual happiness.